| 1931 | born on february, 24th in Avellaneda (Province Buenos Aires)
as daughter of Spanish (andaluce) inmigrants.
|
| 4 years old |
demonstrates her outstanding musical abilities on a toy piano
acts later professionally at Radio Argentina singing folklore
and
Spanish songs |
| 9 years old |
buys with her income her first piano and receives from her mother
a guitar
Due to the premature and fast progress in music lessons,
her teacher recommended her mother to let her develop by her own.
Today Eladia Blazquez argues she could have been a good concert
musician but would not have been a popular song writer.
|
| teenager |
dedicates totally to the Spanish song,
tours through Latin America |
| 1948 |
makes her first long play record (RCA)
acts during the best audience time at Radio El Mundo
sharing with Osvaldo Fresedo, Dajos Bela and
Aníbal Troilo |
| 1964 |
Gradually she passes from the interpreter to the author:
the slow fox Humo y Alcohol was her first composition.
Shortly after that she presents her second LP
with only own compositions.
With the vals Río Río she definitely adopts the national
folklore into her spirit. A cycle of about 20 compositions like
Cuando el amor se va up to Si Buenos Aires no fuera asi
makes the transition to the tango.
|
| 1967 |
Sueño de Barrilete was originally interpreted by
Miguel Saravia and recorded as tango first by Claudio Bergé
and later by Roberto Rufino.
|
| 1970 |
She presents her first exclusively tango LP with only own
compositions and lyrics as well as singer.
|
| 1971 |
She joins in Caño 14 a trio with Marconi, Murtagh and Stamponi
and sometimes alone at the piano or guitar.
At TV channel 7 she presents a longer recital. |
| 1973 |
She presents an other longer recital with own compositions
on the label Disco AZUR.
She is elected to the head staff of SADAIC |
| 1975 |
continues recording on Trova (third own record) |
| 1977 |
secretary of SADAIC, travelling to Spain, France and Italy |
| 2005 |
dies on August, 29.
|
